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David Gilmour_red sky at night歌词 red sky at nightLRC歌词

歌手:David Gilmour 专辑:《Live In Gdansk》 作词: 发行时间:
Loreena McKennitt - The Highwayman
Music: Loreena McKennitt
lyrics: Alfred Noyes
abridged by Loreena McKennitt
The wind was a torrent of darkness
among the gusty trees
The moon was a ghostly galleon
tossed upon the cloudy seas
The road was a ribbon of moonlight
over the purple moor
And the highwayman came riding,
Riding, riding,
The highwayman came riding,
up to the old inn-door.
Hed a French cocked hat on his forehead
a bunch of lace at his chin,
A coat of claret velvet
and breeches of brown doe-skin
They fitted with never a wrinkle
his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle
under the jewelled sky.
And over the cobbles he clattered
and clashed in the dark innyard
And he tapped with his whip on the shutters
but all was locked and barred;
He whistled a tune to the window
and who should be waiting there
But the landlords black-eyed daughter,
Bess, the landlords daughter,
Plaiting a dark red love-knot
into her long black hair.
"One kiss, my bonny sweetheart,
Im after a prize tonight,
But I shall be back with the yellow gold
before the morning light;
Yet if they press me sharply,
and harry me through the day,
Then look for me by the moonlight,
Watch for me by the moonlight,
Ill come to thee by the moonlight
though hell should bar the way.
He rose upright in the stirrups
he scarce could reach her hand
But she loosened her hair i the casement!
His face burnt like a brand
As the black cascade of perfume
came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight
and galloped away to the west.
He did not come at the dawning;
he did not come at noon,
And out of the tawny sunset,
before the rise o the moon,
When the road was a gypsys ribbon,
looping the purple moor,
A red-coat troop came marching,
Marching, marching
King Georges men came marching,
up to the old inn-door.
They said no word to the landlord,
they drank his ale instead,
But they gagged his daughter and bound her
to the foot of her narrow bed;
Two of them knelt at the casement,
with muskets at their side!
there was death at every window
and hell at one dark window;
For Bess could see, through the casement,
The road that he would ride.
They had tied her up to attention
with many a sniggering jest;
They had bound a musket beside her
with the barrel beneath her breast!
"now keep good watch!" And they kissed her.
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
Ill come to thee by the moonlight
though hell should bar the way!"
She twisted her hands behind her
but all the knots held good!
She writhed her hands till her fingers
were wet with sweat or blood!
They stretched and strained in the darkness
and the hours crawled by like years!
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!
Tlot-tlot! Had they heard it?
The horse-hoofs were ringing clear
Tlot-tlot, in the distance!
Were they deaf that they did not hear?
Down the ribbon of moonlight,
over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming!
She stood up straight and still!
Tlot in the frosty silence!
Tlot in the echoing night!
Nearer he came and nearer!
Her face was like a light!
Her eyes grew wide for a moment!
She drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight
and warned him with her death.
He turned; he spurred to the west;
he did not know she stood
bowed, with her head oer the musket,
drenched with her own red blood!
Not till the dawn he heard it;
his face grew grey to hear
How Bess, the landlords daughter,
The landlords black-eyed daughter,
Had watched for her love in the moonlight,
and died in the darkness there.
And back, he spurred like a madman,
shrieking a curse to the sky
With the white road smoking behind him
and his rapier brandished high!
Blood-red were the spurs i the golden noon;
wine-red was his velvet coat,
when they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway,
with the bunch of lace at his throat.
Still of a winters night, they say,
when the wind is in the trees,
When the moon is a ghostly galleon,
tossed upon the cloudy seas,
When the road is a ribbon of moonlight
over the purple moor,
A highwayman comes riding,
Riding, riding,
A highwayman comes riding,
up to the old inn-door
END
编辑于2008/09/22更新
[ti:The Highwayman]\r
[ar:Loreena McKennitt]\r
[al:The Book Of Secrets]\r
[by:Van]\r
[offset:500]\r
[00:00.00]Loreena McKennitt - The Highwayman\r
[00:47.78]Music: Loreena McKennitt\r
[00:52.78]lyrics: Alfred Noyes\r
[00:57.78]abridged by Loreena McKennitt\r
[01:02.78]\r
[01:07.78]The wind was a torrent of darkness\r
[01:10.42]among the gusty trees \r
[01:13.33]The moon was a ghostly galleon\r
[01:15.89]tossed upon the cloudy seas\r
[01:18.85]The road was a ribbon of moonlight\r
[01:21.82]over the purple moor \r
[01:24.43]And the highwayman came riding, \r
[01:27.44]Riding, riding, \r
[01:30.34]The highwayman came riding,\r
[01:32.73]up to the old inn-door. \r
[01:35.94]\r
[01:37.19]Hed a French cocked hat on his forehead\r
[01:40.11]a bunch of lace at his chin,\r
[01:42.91]A coat of claret velvet\r
[01:45.48]and breeches of brown doe-skin\r
[01:48.33]They fitted with never a wrinkle\r
[01:51.05]his boots were up to the thigh! \r
[01:53.91]And he rode with a jewelled twinkle, \r
[01:56.74]His pistol butts a-twinkle, \r
[01:59.68]His rapier hilt a-twinkle\r
[02:02.22]under the jewelled sky. \r
[02:05.09]\r
[02:06.74]And over the cobbles he clattered\r
[02:09.38]and clashed in the dark innyard\r
[02:12.12]And he tapped with his whip on the shutters\r
[02:15.01]but all was locked and barred; \r
[02:17.81]He whistled a tune to the window\r
[02:20.55]and who should be waiting there \r
[02:23.41]But the landlords black-eyed daughter,\r
[02:26.50]Bess, the landlords daughter, \r
[02:29.40]Plaiting a dark red love-knot\r
[02:31.84]into her long black hair.\r
[02:34.51]\r
[02:36.26]\"One kiss, my bonny sweetheart,\r
[02:38.91]Im after a prize tonight,\r
[02:41.72]But I shall be back with the yellow gold\r
[02:44.66]before the morning light;\r
[02:47.36]Yet if they press me sharply,\r
[02:50.06]and harry me through the day,\r
[02:52.89]Then look for me by the moonlight, \r
[02:56.07]Watch for me by the moonlight, \r
[02:58.90]Ill come to thee by the moonlight\r
[03:01.39]though hell should bar the way. \r
[03:04.08]\r
[03:05.74]He rose upright in the stirrups\r
[03:08.37]he scarce could reach her hand\r
[03:11.23]But she loosened her hair i the casement!\r
[03:14.01]His face burnt like a brand\r
[03:16.76]As the black cascade of perfume\r
[03:19.54]came tumbling over his breast; \r
[03:22.40]And he kissed its waves in the moonlight, \r
[03:25.55](Oh, sweet black waves in the moonlight!)\r
[03:28.23]Then he tugged at his rein in the moonlight\r
[03:30.88]and galloped away to the west. \r
[03:34.53]\r
[03:59.17]He did not come at the dawning;\r
[04:01.85]he did not come at noon, \r
[04:04.74]And out of the tawny sunset,\r
[04:07.42]before the rise o the moon, \r
[04:10.18]When the road was a gypsys ribbon,\r
[04:13.26]looping the purple moor, \r
[04:15.87]A red-coat troop came marching,\r
[04:18.92]Marching, marching\r
[04:21.53]King Georges men came marching,\r
[04:24.16]up to the old inn-door. \r
[04:27.66]\r
[04:28.58]They said no word to the landlord,\r
[04:31.33]they drank his ale instead,\r
[04:34.20]But they gagged his daughter and bound her\r
[04:36.91]to the foot of her narrow bed; \r
[04:39.71]Two of them knelt at the casement,\r
[04:42.55]with muskets at their side!\r
[04:45.32]there was death at every window \r
[04:48.45]and hell at one dark window; \r
[04:51.21]For Bess could see, through the casement,\r
[04:53.78]The road that he would ride. \r
[04:56.66]\r
[04:58.13]They had tied her up to attention\r
[05:00.81]with many a sniggering jest;\r
[05:03.67]They had bound a musket beside her\r
[05:0***4]with the barrel beneath her breast!\r
[05:09.24]\"now keep good watch!\" And they kissed her. \r
[05:12.07]She heard the dead man say \r
[05:14.90]\"Look for me by the moonlight\r
[05:17.95]Watch for me by the moonlight\r
[05:20.77]Ill come to thee by the moonlight\r
[05:23.31]though hell should bar the way!\" \r
[05:26.31]\r
[05:27.54]She twisted her hands behind her\r
[05:30.29]but all the knots held good! \r
[05:33.30]She writhed her hands till her fingers\r
[05:35.97]were wet with sweat or blood!\r
[05:38.73]They stretched and strained in the darkness\r
[05:41.57]and the hours crawled by like years! \r
[05:44.34]Till, now, on the stroke of midnight, \r
[05:47.21]Cold, on the stroke of midnight, \r
[05:50.32]The tip of one finger touched it!\r
[05:52.82]The trigger at least was hers! \r
[05:5***9]\r
[06:11.29]Tlot-tlot! Had they heard it?\r
[06:13.98]The horse-hoofs were ringing clear\r
[06:16.77]Tlot-tlot, in the distance!\r
[06:19.49]Were they deaf that they did not hear?\r
[06:22.67]Down the ribbon of moonlight,\r
[06:25.29]over the brow of the hill, \r
[06:27.94]The highwayman came riding,\r
[06:30.93]Riding, riding!\r
[06:33.74]The red-coats looked to their priming!\r
[06:36.21]She stood up straight and still! \r
[06:39.18]\r
[06:40.56]Tlot in the frosty silence!\r
[06:43.36]Tlot in the echoing night!\r
[06:4***5]Nearer he came and nearer!\r
[06:48.96]Her face was like a light!\r
[06:51.80]Her eyes grew wide for a moment!\r
[06:54.50]She drew one last deep breath,\r
[06:57.34]Then her finger moved in the moonlight, \r
[07:00.46]Her musket shattered the moonlight, \r
[07:03.29]Shattered her breast in the moonlight\r
[07:05.86]and warned him with her death. \r
[07:09.19]\r
[07:10.24]He turned; he spurred to the west;\r
[07:12.87]he did not know she stood\r
[07:15.70]bowed, with her head oer the musket,\r
[07:18.38]drenched with her own red blood!\r
[07:21.19]Not till the dawn he heard it;\r
[07:24.10]his face grew grey to hear \r
[07:26.79]How Bess, the landlords daughter, \r
[07:29.77]The landlords black-eyed daughter,\r
[07:32.50]Had watched for her love in the moonlight,\r
[07:35.26]and died in the darkness there. \r
[07:38.52]\r
[07:39.71]And back, he spurred like a madman,\r
[07:42.54]shrieking a curse to the sky\r
[07:45.24]With the white road smoking behind him\r
[07:47.90]and his rapier brandished high!\r
[07:50.73]Blood-red were the spurs i the golden noon;\r
[07:53.62]wine-red was his velvet coat,\r
[07:56.35]when they shot him down on the highway, \r
[07:59.13]Down like a dog on the highway, \r
[08:02.05]And he lay in his blood on the highway,\r
[08:04.87]with the bunch of lace at his throat. \r
[08:08.70]\r
[08:24.81]Still of a winters night, they say,\r
[08:27.56]when the wind is in the trees,\r
[08:30.21]When the moon is a ghostly galleon,\r
[08:32.92]tossed upon the cloudy seas,\r
[08:35.81]When the road is a ribbon of moonlight\r
[08:38.85]over the purple moor, \r
[08:41.50]A highwayman comes riding,\r
[08:44.47]Riding, riding,\r
[08:47.31]A highwayman comes riding,\r
[08:49.90]up to the old inn-door\r
[08:53.96]\r
[09:3***1]\r
[10:12.56]END\r
";

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    交响梦(崔健雅)《由创作者》并使用较快速度来演绎,用朗朗上口的歌词,唱出了动人的音乐创作风格,“每个阶段,每个时代的心跳,都让你无法窥见”。前奏有三声,分别是男声、女声、女声、男声、男声和女声。前奏的节奏和尾奏部分是:夹变调夹三品。注意:所具有的节奏型和:6-6-8-8-4-5-4-5-6-5-3-1-2-5-5-5-6-5-5-4-5-6-3-5-1-5-4-5-1-4-6-5-5-4-5-1-5-1、5-5、5-5-4-5-5、5、6-5、5、5-5、5、5-5-5-5、4、5-5、6、8、5、5、6-4、5、5-5、5、5、1、4、6-5、6、6、5、5、6、4、5、5、5、8、5、8、5、5、5、5、5、5、5、6、5、5、5、4、6、5、6、5、1、8、6、5、5、8、5、4、6、5、5、8、、5、5、5、4、5、5、1、5、4、5、4、5、4、6、8、6、5、5、5、5、5、5、5、6、6、5、5、8、6、5、5、5、5、5、5、5、5、4、5、5、5、4、5、5、5、5、6、8、5、5、5、5、5、5、5、4、5、5、5、5、6、6、6、6、5、6、6、6、、5、6、1、5、5、7、8、5、8、4、5、7、5、5、5、、5、10、5、8、7、5、6、7、5、5、6、5、1、4、6、6、1、5、第三、4、4、7、5、5、5、6、第三、4、第三、4、5、5、第三、、第三、5、、第三、第三、第三、第三、第三、、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三第三、第三、第三第三第三、第三、第三、第三第三、第三第三、第三、第三、第三、第三第三第三第三、第三第三第三第三、第三第三第三第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三第三第三、第三、第三第三第三、第三第三、第三、第三、第三、第三、第三、第三、第三、第三第三第三第三、第三、第三、第三第三第三、第三第三、第三第三、第三第三、第三第三第三、第三、第三、第三、第三、第三第三、第三第三第三、第三、第三、第三、第三、第三、第三、第三、第三、第三、第三第三第三第三、第三、第三第三、第三第三第三第三、第三、第三第三、第三第三第三第三第三第三第三、第三第三第三第三、第三、第三、第三第三第三第三、第三第三、第三、第三第三第三、第三第三第三第三第三第三第三第三第三第三第三、第三第三第三第三第三第三第三、第三第三第三、第三第三、第三第三、第三第三第三、第三第三、第三、第三第三第三第三第三第三第三、第三第三第三、第三、第三第三第三第三、第三第三第三第三第三第三、第三第三第三第三第三、第三、第三第三第三、第三第三、第三第三、第三第三第三、第三、第三第三第三、第三第三第三第三、第三、第三第三第三第三第三第三第三第三第三第三第三、第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三、第三第三第三第三第三第三第三第三第三第三第三第三、第三第三第三第三第三第三第三第三第三第三第三、第三第三第三第三...第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三...第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三第三...第三第三第三第三第三第三第三第三第三第三...第三第三第三第三...第三第三第三第三第三第三第三第三......第三第三第三第三第三第三第三第三第三...第三第三第三第三第三第三第三第三第三第三第三第三...第三第三......第三...第三.........第三第三”第三...第三第三,,歌词欣赏:修剪自己迎接你淋湿我风干的心,雨停时分 洗澈烟尘,新的花梗 正期待炫耀颜色,黄昏人们 敞开了家里大门,宁

  • 吴青峰《跟着你到天边》G调吉他谱吴青峰《跟着你到天边》G调吉他谱

    吴青峰《跟着你到天边》G调吉他谱

    跟着你到天边_,新裤子的一首暖心情歌,跟着你到天边吉他弹唱谱,,整理分享。相信大家都听过这首歌,这首歌的歌词很好听,充满了对未来美好的憧憬,旋律很有画面感,给我们带来一种心醉神迷的快感,给我们带来一种深呼吸,甚至让人有些放松。民谣有三:姑娘,吉他,南北方。听者有三:香烟、孤独、还有酒。姑娘是爱情,吉他是理想,南北是远方。香烟和酒是过往...,歌词欣赏:心中的温情永不减,跟着你 到天边,相会在如烟的昨天,跟着你 走到天边,挽着手 直到永远,沿着岁月留下的路,相会在如烟

  • 久石让《天空之城》吉他谱久石让《天空之城》吉他谱

    久石让《天空之城》吉他谱

    天空之城的设计师赵雷宇,这首在中国重要的绘画基础上很有策划性,这首歌曲的创作,正是赵雷的作品,歌词深刻地表达出他渴望我们所爱的人和为爱情而默默付出的人,要好好珍惜身边的一切,他的内心永远是最重要的,因为他把一切交付给了他。或许,他知道,没有人可以代替他的东西。但是,他并没有放弃他的理想,他愿意为了他的梦想不断努力。,歌词欣赏:爱情不过是生活的屁,折磨着我也折磨着你,港岛妹妹 你献给我的西班牙馅饼,甜蜜地融化了我 天空之城在哭泣,港岛妹妹